Why am I a hater, cause we don't agree? ...Shut up already.

I get called a hater so many times a day, it has lost any sort of sting. . . and/or amusement it might have once had. Now I am just left wondering, why the fuck does everyone think I'm a hater? Let's examine this shit.

The definition of 'hater' when dictionary.com'd is the same as 'hate', which is as follows:

Hater - 3 dictionary results

–verb (used with object)
1.
to dislike intensely or passionately; feel extreme aversion for or extreme hostility toward; detest: to hate the enemy; to hate bigotry.
2.
to be unwilling; dislike: I hate to do it.

–verb (used without object)
3.
to feel intense dislike, or extreme aversion or hostility.

–noun
4.
intense dislike; extreme aversion or hostility.
5.
the object of extreme aversion or hostility

There, now that we have cleared that up, we all have a fuller understanding of what a hater is. Or do we? I mean, if that's the definition, basically, someone who dislikes something intensely, aren't we ALL haters? I don't know one person. . . nan nigga. . . that don't dislike some musician intensely. Let's be real, there is some rapper, or beat maker, or fake ass wannabe rapper/beat maker, that, if that mothafucka walked in front of your 91' Toyota Tercel, you might be tempted to run they ass over. I'm just sayin'.

My point in all this is, enough with all the fuckin' hater talk. Why don't you, next time you decide to act like a little school girl and call someone a hater, instead, act like an adult, and have a real conversation with them about whatever it is ya'll disagree on. If they think Lil Wayne is a waste of space/oxygen/dreadlocks/facial tattoos/etc, and you think he is the second coming of Christ, why not, instead of screaming 'HATER' and then stomping off with a false sense of accomplishment, why don't you say 'hey there motherfucker, why don't you like Weezy? Cause I think he is the cat's pajamas!'. Then. . . you guys could do this weird thing nerds sometimes do. . . you could have an intelligent conversation. WOW. Then. . . and this is the REALLY shocking part. . . then you could hear what they have to say, and they can hear what you have to say. You guys might end up changing each others minds, or learning some new things, or just gaining respect for an opinion that's different than yours. Imagine that! Or. . . you could just call them a hater and go on about your unreasonable and incredibly annoying way.

So, sure. Maybe I am a hater. Maybe I'm a hater because I don't think Jay-z makes good music. . . or because I think Gucci is a talentless hack. . . or because I don't get what everyone loves about Drake. . . or whatever. . . But, maybe, just maybe, I have good reasoning behind those opinions. . . in which case, am I still a hater? If simply disliking something makes you a hater, we should just stop calling people haters all together, because it's about as appropriate as telling someone they're alive. . . like, duh, I know.

I think we should reserve the term 'hater' for those who dislike something intensely. . . but for no apparent reason, other than that they just do. Hate with no logic, reasoning, or. . . well. . . sense. . . that constitutes being a hater. No wait, that constitutes being an asshole. Honestly, I am starting to feel like this 'hater' terminology is veritably useless.

Actually. . . and this literally just dawned on me. . . do you want to know who the REAL haters are? People who walk around calling everyone haters. If you own a 'Hi Haters' shirt, or you walk around saying shit like 'You aren't really a success unless you have haters', you should just come to terms with the fact that you, my friend (that was a lie, we ain't friends), are a fucking HATER. You hate on people for disagreeing with you, or because they don't like your shit, then not only are you a dumb ass, but you are actually the reason the term hater exists. So. . . listen. . . let's try this. . . the next time you are about to call someone a hater. . . for whatever undoubtedly stupid reason. . . instead of saying to them, just walk over to the nearest reflective object (like a mirror) and repeat after me: "I'm a hater". That will make everyone happy, trust me. Or. . . it will make no one happy, but I won't have to listen to you call me a hater so. . . who really cares if everyone is happy, cause I will be.

I guess the intended outcome of this rant was for you to understand this: I'm not a hater. You're taste in music just sucks. . . I'm sorry that it hurts, but calling me a hater doesn't change anything. . . That is all.

Blogger commentary: None of this 'hater' talk applies with sports, this is Hip Hop oriented ONLY. I am free to hate whatever sports team I want for whatever reason. . . or no reason at all. Those are the rules. Google it.

Frank Nitt: What up doe?

With a newly dropped mixtape, an upcoming European tour with Illa J, and many, many, MANY things in the works, Frank Nitt has got a lot of shit goin' on. . . including, but not limited to, doing an interview with me, for http://www.yourtasteinmusicsucks.com/ . . . The interview will be up soon, but in the mean time, check out the new miptape here: http://buddybuddybuddy.com/

Information on the European tour here: http://www.myspace.com/franknittdigipop

A fairly recent music video for the track 'L.O.V.E.' feat. DJ Quick and J. Black here: http://www.youtube.com/watch?v=ywnr-44RMBs

And you can hit that nigga on twitter here: @FrankNitt

Stay tuned for the interview.

You had me at Sweet Pea. . . and by 'had me' I meant made me seriously question you: Consumer X

1. Who the fuck are you? (Alias, oldness factor, place I should avoid if I never want to see you, etc. . .)

My Mama call me Sweet Pea, but I’m EL3G to the world. I'm one of many in the Hip Hop Collective OkiZoo (http://blog.okizoo.com/) & I'm a Host and DJ on http://www.gtownradio.com/ Wed 8-10pm EST. Currently in Philadelphia, 28 years old and life's a blessing.

2. Describe hip hop in one word, then explain your word choice. . .

Freedom. Hip Hop is an artistic commitment to seize freedom. Its origins began as an outlet to express oneself, and in doing so you become free. Free from the bullshit of your daily life, just free in the music. That feeling you get from Hip Hop is freedom.

3. Favorite MC (current vs. all time)?

Current: Elzhi (of Slum Village)
All Time: Black Thought (of The Roots)

4. Why the fuck do I care? What qualifies your opinion on the subject?

I have a great ear for music. Born in 81, Hip Hop has been a part of my life since the beginning. I live, breathe, eat, shit, hip hop so I think that makes my opinion on it valid.

5. If you had to boil what hip hop truly is down to three albums, what would they be? Explain.

Public Enemy - It Takes A Nation of Millions To Hold Us Back
The Roots - Things Fall Apart
NWA - Straight Outta Compton

Those three albums kinda cover the bases when it comes to hip hop.

You got your East Coast Rap w/ PE.

You got your Conscious, thought provoking, Underground Rap w/ The Roots.
You got your West Coast, Gangsta Rap w/ NWA.

Honorable Mention goes to Outkast - Aquemini. They hold it down for the South.

6. You may not be Dave New York, but I still wanna know. . . How do you feel about radio hip hop?

I don't fuck w/ it. Only radio I like is Internet Radio & College Radio. At least w/ those mediums you won't hear the same wack ass song over and over again.

7. In your opinion, are hip hop and rap the same? Are the words interchangeable? Why or why not?

Rap is rhyming on a beat. Hip Hop is the culture and the 4 elements Rap, DJing, Graffiti, Bboying. They're really not interchangeable, since Rap is just one part of Hip Hop.

8. Best producer in the game?

Madlib. His catalog is crazy, he really focuses on the music and he's a crate digga for real. If Dilla was still around he'd hold the crown tho.

9. What's your guilty pleasure in terms of music? The stuff you wouldn't want ANYONE to catch you listening to.

Honestly I don't think I have one. If the music is suspect or wack to me I don't listen to it. Everything I do listen to I bump that shit loud in an attempt to get someone to ask me what I'm listening to. I can't call it.

10. Do you like Jay-z? If so, for the love of god, explain why. . .

I can't knock the hustle. I don't like him as a person tho. Reasonable Doubt was dope, and still gets play in my rotation, but he just kind of rubs me the wrong way. Plus that nigga fell off as a lyricist. He should have retired the first time he said it.

11. Who is the one rapper out right now that you feel does not deserve the success they have? Why?

Gucci Mane... how the fuck did this dude get on? I mean do I really have to even explain why, he's terrible, just terrible. I can't knock the hustle tho, I'm not a hater.

12. Who is the one rapper out right now that deserves more success than they have currently? Why?

Blu, that guy is dope. He made a classic album w/ his debut but he gets little shine from the mainstream. Even you mentioned how dope his album w/ Exile, 'Below The Heavens' is. I just wish MTV or BET would take notice to some of his videos.

If you never heard of Blu, "Judge This Shit For Yourself" --> http://www.youtube.com/watch?v=Ia0VxX1y-1M

13. "I'm tryin' to be one of the best, period. Not just one of the best with breasts and a period. . ." -Invincible . . . How do you feel about the fact that you are being interviewed by a girl that thinks she knows more about hip hop than you ever will?

Well I doubt you know more than me, but I know that you are a fly woman w/ a good ear for music. So I feel real good about it.

Blogger commentary: I'm gonna need for your answers to not be so similar to what mine would be. You're like a non-asshole version of me. Which makes you automatically less cool. . . so I win. That is all.

DubCNN's Interview with Game

DubCNN hooks with Game after a studio session with Pharrell where the MC breaks down how he linked back up with Dr. Dre, his upcoming album and other ish.

Game drops the "R.E.D." Album on February 16, 2010.

{Video} Royce Da 5'9 on Kube 93's Sound Session

Royce talks about anything and everything, tons of information and thoughts.

Royce Da 5'9" on KUBE 93's Sound Session, Pt. 1 from DJ Hyphen on Vimeo.

Royce Da 5'9" on KUBE 93's Sound Session, Pt. 2 from DJ Hyphen on Vimeo.

Royce Da 5'9" on KUBE 93's Sound Session, Pt. 3 from DJ Hyphen on Vimeo.

Young Jeezy x Gucci Mane - Trap or Die 2

Has the beef been settled?

Download HERE

Judge this shit for yourself: Dai Katamy

Listen: http://www.zshare.net/audio/6884882341b9e304/

1. What makes you different and/or better than some of the more popular producers (Swizz Beats, Kanye West, Madlib, etc) in the game right now?

Not better than anybody... yet. Haha. I think what makes me different is the way I approach things... a lot of times my emotion at the moment shapes the beat in every aspect, from the drums, to the chops, to the choosing of the sample even. I try to use it as my voice.

2. Why do you love hip hop?

As aggravated as I get with the people running the output of hip-hop in the mainstream, you know, the ones who control what people hear on the radio... what keeps me in love with hip-hop is the variety... the different kinds of approaches that artists take, mostly producers. One producer might take a piano, a bass guitar, real drums, and make a masterpiece...and another producer can take those recorded live instruments and ABSOLUTELY FLIP IT into something JUST as melodic with chops alone. That's what keeps me wanting to put a ring on it… Haha.

3. Why should we/I give a fuck?

I'm not doing what most producers from my area are doing, even though it's not the popular style. I let what I grew up with (80's baby, grew up in the 90s) influence how I approach things.

Blogger commentary: if you want more info, hit this nigga on Twitter: @DaiKatamy

Lupe Fiasco - Enemy of the State: A Love Story

Lupe drops his long awaited mixtape, download HERE

Props to Lowkey

Large Professor - What's in my Bag?

Large Professor let's you in on what exactly is in his bag at Amoeba.

Ester Dean ft. Lil Wayne - Drop it Low remix

Weezy spazzes out and drops one of his better verses of late.

Download HERE

Nola Darling - Step To Me {Video}

Off their upcoming EP, A Rude Gal’s Guide To…

Peep their Myspace to get to know them better, HERE

Mick Boogie & Terry Urban Presents Le Da Soul - 20 Years of De La Soul {Download}

Download HERE

Put your money where your mouth is. . . or don't. . . shit, I don't care.

I had a conversation with someone today that got me thinking: what's really the problem people have with 'mainstream' hip hop? Let's explore this shit. . .

One of the biggest complaints I hear about mainstream hip hop is that it's all the same. . . same 'bullshit ice rap' (c) Ye over substandard beats. . . perhaps this pleases the masses (I mean, obviously, that's why it's on the radio), but it leaves the true hip hop connoisseur thinking: 'the fuck?!'. . .

After analyzing the situation, I came to the conclusion that there seems to be two separate issues at hand here. . . A. It takes a special kind of person to want to hear 'Becky' 67 times over the course of one hour. . . (and by special, of course I mean moronic) in other words, most heads don't actually like the music that is played on mainstream radio (for the most part). . . nor the amount it's played. . . or played out for that matter. . . B. it's my personal opinion that a lot of heads really don't want the music they love to be mainstreamed. Let me explain.

There is a certain level of respect, understanding, passion, intelligence, etc, that is assumed when you meet someone that truly has good taste in hip hop. For instance, if someone tells me their favorite rapper is Soulja Boy, I assume they are an average human being, with average taste is music, an average life, and average interests. They look to the radio to tell them what kind of music to listen to, what albums to buy, what clubs to go to, etc. That's all fine, no judgement (not really, but whatever. . .), BUT. . . when I meet a person and they tell me their favorite rapper is DOOM. . . I draw a totally different conclusion about that person. . . to me they are a person with obviously good taste in music, which, for a person who loves hip hop as much as I (and more than likely you) do, this means they are probably a person worth getting to know. . . or at least a person you shouldn't make fun of. . . immediately. . . or not, whatever.

My point in that last bit of sentiment was this: Deep down, hip hop heads are sort of elitist. . . we really don't want that girl in a hooker heels, multicolored booty shorts, and an Ed Hardy cut off baby tee reppin' Jaylib. That being said, as much as we claim that we don't listen to the radio because all they play is garbage, we don't REALLY want 'our music' to be 'popular'. Or do we?

This is not to say that heads don't want our favorite artists to be successful, we do. . . just not so successful that they sell out and conveniently lose all their talent. See, that's the thing about commercial rappers, they are already talentless, so their fan's don't have to worry about these types of things. . .

There is yet another level to this shit, and that level is fan support. . . The Drakes, Weezy's, Plies (es?), and Gucci's of the world aren't really having problems selling albums, because they have tremendous fan support. . . yes, perhaps their skill level is crap. . . but people are buying their records, their songs are being played in clubs, and they are getting major radio play. . . On the other hand, better rappers albums are making in one year what Weezy is making the first week of his album sales (if that). . . not to mention the fact that I have NEVER heard a DOOM song on the radio or in a typical club. . . it doesn't really seem fair, does it? One would like to think that the best should be on top, but that's just not the case in the kingdom of hip hop. . .

I guess the problem here is that, we want our music to be popular, because we want our favorite musicians to be successful, but not at the cost of selling out, dumbing themselves down, and just generally fucking up to appeal to the average consumer. . . but it seems like, logically speaking, by people not being more supportive of the musicians we purport to love, we might be forcing their hand in selling out. . . that or dooming them to a life filled with great raps, but little paper. . . and thus, possibly no raps at all. . .

The moral of this story is, you can't have it both ways. . . you can't scream about how much mainstream music sucks, and how the radio, MTV, VH1, BET, etc, only give video and radio play to the Weezy's of the world when you don't REALLY want better hip hop making an appearance in mainstream media. We have to figure out a way to support our favorite musicians so that they can continue to make the music we all love, while simultaneously supporting themselves, and keepin' it ghetto with the plastic cups.. Being a musician (when you are not MAD famous) is not exactly an easy gig, and it takes a lot to make it work.. MC's and producers have bills, families, problems, and need to eat, just like everyone else. . . and they can't do that if they are barely making enough money to cover the costs of putting out an album..

I think Invincible put it best when she said "You want good music? You gotta support it."

If, regardless of how you feel about mainstream music, you have positive feelings about non mainstream music, you have to show your support. . . and by support, I don't mean just illegally downloading albums and then speaking highly about them on your favorite social networking site. . . Buy albums, go to shows, REALLY support these artists.

Let me make something clear here. . . I am not saying that the problem with the people reading this article is that they are supporting the WRONG thing. . . because I am assuming if you are reading this particular blog, you are probably not the biggest fan of mainstream hip hop. . . what I am saying is that you are not supporting ANYTHING. . . good or bad. . . mainstream or non mainstream. . . just. . . nothing. . .

Maybe this is just wishful thinking on my part, but. . . maybe. . . just maybe. . . if we would stop being elitist assholes for like. . . 3 minutes. . . and instead, showed some real support for GOOD artists. . . we could change the game. Follow my logic on this: If everyone who claims to love the DOOM's of the game (lesser known, thus lesser supported, yet more talented MC's/producers/etc than those who are currently mainstream music makers) actually supported the DOOM's of the game, then that music, the GOOD music, would become mainstream. . . much more support will be being shown for it, thus pushing it out into the world for more than just the isolationist DOOM fans to consume. Radio stations might play it. . . MTV might begin showing DOOM music videos. . . next thing you know, kids will be wearing iron masks for Halloween instead of drawing fake tattoos on their foreheads trying to imitate that douche bag that need not be named. . . Dare to fucking dream. I'm just sayin'.

Bottom line: Elitism is wack. Stop keeping good music from the world because you want to be looked upon as a REAL hip hop head because you are the one person in the room who know who can name all 9 members of the Wu-Tang Clan. . . Yeah, I get it. . . it's nice to be an expert at something. But you know what would be nicer? Turning on the radio and hearing something other than 'LOL (Smiley Face)'. I am sure your local DJ, who probably did not become a DJ to play the same 6 songs in rotation ALL FUCKING DAY, would appreciate playing something that took some actual talent to create. I am sure your favorite rapper would also agree that it would be nice for them to be seeing the numbers that their less talented counter parts are seeing in terms of album sales. See? Everyone's happy.

Here's a thought: If your favorite MC or beat maker drops an album. . . or God forbid. . . a mixtape. . . go out and BUY IT. Back up all that talk you spew out on the daily about how much you love them, and actually hold them down. . . you never know. . . if the 500,000 of us that purport to love these people actually put our money where our mouth is, maybe our music could be mainstream. . . but then, what would we have to complain about?

Are you stalking me?: Consumer X

1. Who the fuck are you? (Alias, oldness factor, place I should avoid if I never want to see you, etc. . .)

Alex, 26, Bay Area. You don't need to know any more than that.

2. Describe hip hop in one word, then explain your word choice. . .

Hip-Hop is... Hip-Hop. You can describe the genre/culture by using the word itself. Hip-Hop is.

3. Favorite MC (current vs. all time)?

Current: Canibus, Immortal Tech
All time: Nas or Del

4. Why the fuck do I care? What qualifies your opinion on the subject?

Because I touch you in ways only you and I can speak about.

5. If you had to boil what hip hop truly is down to three albums, what would they be? Explain.

Paid in Full - The Illmatic before... Illmatic. Ra took it to another level lyrically, and Eric dropped the hot beats.

Illmatic - One of the most lyrically impressive albums, ever. A hungry young Nasir tore this album up, and Prem, Pete, Xtra P, plus others provided the backdrop for the amazing lyrics, and despite being different producers, they created a coherent sound for the album.

Endtroducing... - One of the foundations of the culture has always been sampling, and DJ Shadow creates an amazing album solely based off samples. One of my favorite albums to sit back and vibe to, especially in the winter and summer times.

6. You may not be Dave New York, but I still wanna know. . . How do you feel about radio hip hop?

It serves its purpose. I don't listen to the radio much, but I just see it as another outlet for an artist to spread their music.

7. In your opinion, are hip hop and rap the same? Are the words interchangeable? Why or why not?

Whenever I'm asked this, I quote the Teacha: "Rap is something you do, Hip-Hop is something you live." Hip-Hop encompasses rap, as well as graf, bboying, DJing, and other aspects. When talking deeply about the subject, I wouldn't say they're the same per se, as mentioned previously, Hip-Hop is the culture, and rap is something you do within the culture. However, when discussing the genre of music, I'd say "Hip-Hop" over the word "Rap." But in that sense, they are interchangeable.

8. Best producer in the game?

Prem or Stoupe

9. What's your guilty pleasure in terms of music? The stuff you wouldn't want ANYONE to catch you listening to.

None, I don't care what people know what I listen to. I gotta mix CD right now that has Nas, Hilary Duff, Canibus, and some other random stuff.

10. Do you like Jay-z? If so, for the love of god, explain why. . .

Yeah, I do. Despite accusations of "bigging up his brother" a little too much, Jay does have skill. Not even taking into account his business side/personal side... there's a reason there's a lot of Jay clones out there. Jay can rhyme his ass off. If you don't recognize he has skill, you're a hater. He's good at what he does.

11. Who is the one rapper out right now that you feel does not deserve the success they have? Why?

This is gonna sound cliché, but Weezy... he lucked out. Without the south explosion, I don't think he'd be as big as he is now. I always felt he was one of the weaker members of Cash Money... the events that transpired to his success was all based on the current environment, and luck.

12. Who is the one rapper out right now that deserves more success than they have currently? Why?

Bubba Sparxxx, especially when the south blew... Bubba dropped an underrated sophomore album, with some of Tim's best work, and it went unheard... Bubba then switched it up to be more appealing, when he shouldn't have had to do that.

13. "I'm tryin' to be one of the best, period. Not just one of the best with breasts and a period. . ." -Invincible . . . How do you feel about the fact that you are being interviewed by a girl that thinks she knows more about hip hop than you ever will?

It's quite a turn on... we should do like my man Diddy say... "play fight under covers"

Blogger commentary: For the record, this idiot has not touched me in ways only him and I can speak about. He hasn't touched me at all. He is a stalkery Hov loving weirdo. But his opinion still counts. . . sort of. . . That is all.

Okay. . . what's the fucking deal with all this whining?

I am as guilty of this as anyone else. I sit on my couch, I channel surf, I find music videos, or an award show. I watch. I complain. "Why is mainstream hip hop such garbage?". "Can't they come up with a more original idea for a music video? I mean, ass shaking is great, but c'mon son!". "Is that? Did he just? What the fuck?!! I HATE THIS SHIT."

We have all been there, watching, or listening to something, that we knew damn well is garbage, and not worth our time. Our response? Do we stop? Nope. We continue. . . we just complain endlessly about it.

This wouldn't be such a problem except, A. I hate hearing people complain, and B. As long as we continue watching, we are showing support for whatever it is we are complaining about, whether it be inadvertent or not.

Let's think about this shit. When you watch the BET awards, or the AMA's, or the MTV video music awards, or music videos, etc, even though you may think that all your nasty comments the shows and how stupid they are 'mean something', they don't. The reality of the situation is, while you are burning up your time on something you purport to disdain, you are lining the pockets of the exec's of the companies putting on these monstrosities by sitting there and continuing to watch them. . . even though you. . . ummm. . . you know, hate them or whatever.

I don't know about you all, but I don't like handing money over to organizations and/or causes I supposedly have no respect for, dislike intensely, think fell off, etc. I also don't like wasting my time consuming that same shit. . . so this begs the question. . . why? Why do we do this? Why do we watch and listen to this shit that we claim we can't tolerate, and then proceed to talk shit about it endlessly?

In my opinion, it comes down to a few options: 1. We don't hate this shit as much as we claim to. Maybe you are crying 'Weezy sucks' while on Twitter. . . all the while bumpin' 'The Carter III' on your lap top. I have noticed that it has become 'cool' to be a hater. . . of things you don't even real hate. . . this concept perplexes me, because, if you don't REALLY dislike something, why claim to? Why do you give that much of a fuck about what other people think that you can't even be honest about what you truly like and dislike? I'm just sayin'.

Option 2: We're all just a bunch of whiny bitches that derive pleasure from subjecting ourselves to basic bullshit that we can't stand. This seems like it could be a fairly viable option as well. Americans love to complain. We have this sense of entitlement that allows us to go around acting like all this bad shit is being forced on us, when half the time, we put it upon ourselves. Think of it like this. I happen to think whole milk is gross and is the equivalent of drinking clumpy liquidise fat. Just looking at whole fat milk disturbs me, and I haven't had any to drink since I was about 8, and even then, it was because my parents forced me. That being said, let's just say I were to roll over to Safeway and pick up a gallon of it. Then let's say, I got home, poured myself a nice, big, tall, frosty, gelatinous glass of the shit, sat on my couch, got on Twitter, and tweeted all about how much this glass of milk disgusted me as I drank it. Why the fuck would I do that? How much of a fucktard would doing that make me? Subjecting myself to something I damn well know I am gonna hate, and then complaining about it endlessly. See the correlation? I'm just sayin'.

Now, it would be a different situation if I went to my fridge, poured myself a glass of what I thought was nonfat milk, and drank it, only to find out it was whole milk, and complained endlessly about that. That shit WOULD be foul. But just like the fucking award show situation, if I know full well what I am getting into beforehand, I have no one to blame but myself for my unhappiness with the situation, and it would seem that I certainly have no right to complain about it.

Alternately, if you know that you hate some of these things like award shows, and whole milk, gremlins, Drake, the smell of popcorn, facial tattoos, etc, and you decide to not have anything to do with them, THEN you can complain. Because you aren't willingly participating in something you supposedly can't stand. I, as it were, can talk about how much whole milk disgusts me. I won't. . . well. . . anymore. . . because I don't want to come off like any more of a whiny bitch, but I would be fully within' my rights as a sensical individual to do so.

On that same token, by not consuming something I dislike, I am saying much more with my actions than I ever could with my words. Example: if all the people who claimed they hated BET stopped watching BET, BET would probably go out of business. . . If we all aligned our actions with our words, half the things we complain about on a constant basis, especially in entertainment, would more than likely no longer be an issue. I think people fail to realize that the entertainment industry is all about money. If money is being made, then things are going to continue as they are. Why the fuck wouldn't they? Here's a little hint: If you really hate BET, and you really want to fuck them, don't talk about how bad a station they are while you sit there watching 106 and Park (I actually had to go look up the name of a BET show, CAUSE I DON'T WATCH BET. How awesome is that?), because that ain't doin' shit. Either admit that you love them, or stop watching, and really fuck them over.

Anywhos. . . (c) DOOM. In looking at these two options, the first being total dishonesty with yourself and others about your preferences, and the second being whiny bitchassnesss, I am not sure which is worse, or more prevalent, or. . . well. . . anyway. Sidebar: don't think I don't see the irony in the picture I used for this post. . .

I just want to say this, if watching these lame ass award shows (your words in many cases), and bitching to your hearts content gives you some sort of bizarre pleasure, even though you claim it does nothing but make you hate. . . you know. . . life. . . or whatever, for the two hours they're on, do your thing. Who am I to judge? BUT. . . if you are on some 'I have to act like I hate Young Money because liking Young Money means I have bad taste in music' type shit. . . grow a pair. If you like something, you like it. Period. And truly, you shouldn't give a FUCK what anyone else thinks about you for that. Yeah, I may think you are a loser with bad taste in music, but, who the fuck am I? And yes, maybe you are a loser with bad taste in music, but at least be one that stands for something. Don't be a coward who conforms to what people think is acceptable, because in the end, you're reppin' you, not them.

If you truly hate these award shows, music videos, mainstream radio stations, etc, turn them off. It's really not that hard to do. They are not being forced on you, and plenty of people have managed to get through life without them. By not consuming them, not only are you saving yourself from severe unhappiness, but you are breakin' them for they scrill! What could be better than that? BUT. . . if you can't seem to manage that, then at least, do us all a favor and stop complaining about them. It doesn't make you look cool, or above it. . . it makes you look like YOU THINK you're better than what you are consuming. It's a desperate form of self praise, and to quote one of my hero's, John Madden, "Self praise is for losers. Be a winner. Stand for Something.". On that same token, like I said from jump, I am guilty of this at times as well, and this article was written to check myself, as much as it was written to check others. All I'm sayin' is, let's think about what we're doing, who we're supporting, what we're saying, etc, and it's literal effect. That is all.

Fabolous x Kobe - Imma Do It {Video}

Fab hooks up with the new go to guy for hooks, Kobe. Best song off the album.

Young Money x Lloyd - Bedrock {Behind the Scenes}

BEHIND THE SCENES OF "BEDROCK" BY YOUNG MONEY FT LLOYD from DERICK G on Vimeo.

Weezy and his Young Money all stars shoot the visual for their next big hit, "Bedrock".

Album drops December 22.

Slaughterhouse - Microphone {Video}

Slaughterhouse drops their video for "Microphone" just as their tour comes to wrap, banged out 47 shows in 50 days, impressive.

As usual, Royce kills it and the rest of the group falls in line.

Judge this shit for yourself: Thelonious

Listen: http://usershare.net/2kx310cubqjs

1. What makes you different and/or better than some of the more popular producers (Swizz Beats, Kanye West, Madlib, etc) in the game right now?

I couldn't really put myself in the same box as a Timberland or Kanye, I'm only 17, but my ear is new and inventive. I've only been producing since May 2008, but I've already established my own style that is distinct and people can recognize it without my name being on the track. I modeled my style after 9th Wonder and I try to approach things with a certain ear and carefulness. I can't go about making music just because, I have to be inspired.

2. Why do you love hip hop?

I can't even sit here and be the stereotypical 'I love hip hop' person, but I just love music. My dad played jazz when I was little and it had a great effect on me, and slowly he let me listen to hip hop here and there and it slowly became infectious. The first song I learned all the words to was "All About The Benjamins", and I was born in '92.

3. Why should we/I give a fuck?

You (the people) should care because I'm doing what I love to its highest level and I'm growing as a person with every beat you hear from me. These are the daily trials and tribulations of a teen put into sound. I couldn't put any better. I just sit around and listen to old records, as if its new Lil Wayne to kids, chop'em up the way I want you to hear, and serve my stories on a silver platter.

Blogger commentary: if you want more info, hit this youngin' on Twitter: @Thelonious1up

Featured artist: Kendrick Lamar

Formerly known as "K DOT", Kendrick Lamar puts on for his city in "Compton State of Mind".




Also got a a new cut from Kendrick Lamar called "Wanna Be Heard". Boy is spitting vicious and those comparisons to Weezy are on point. Peep the song and drop a comment.

Playlist specials - 'The only thing I wish: I wish a nigga would. . .'

This mood doesn't need much in terms of description. . . We have all been there. This playlist is for when you're so mad, violence isn't an option. . . it's a fuckin' guarantee. "Fuck fight music, bitch this is losin' your life music. . ." Cause if someone else don't start some shit. . . you might. . . Warning: listen with caution, because if you're flirting with the edge of sanity, this shit might just push you over. . . happy listening!

1. Tupac - Troublesome 96' (2pac Greatest Hits) "Say my name three times like Candyman. . . bet I roll on your ass like an avalanche. . . A sole survivor, learn to get high and pull drive bys. . . murder my foes, can't control my nine. . . Hearing thoughts of my enemies pleading please, buster ass motherfuckers tried to flea. . . picture me letting this chump survive. . . Ran up on his ass, when I dump, he died. . . cause I'm troublesome!"
http://www.youtube.com/watch?v=RdX79pwyBII

2. T.I. - Top Back (King) "Pistol way in the truck, got my knife on tuck. . . ya' think he ain't getting stuck? You got life fucked up. . . a couple stitches in ya' hip will have ya night fucked up. . . Will he live? Will he die? Guess he might luck up. . ."
http://www.youtube.com/watch?v=s-iM6EVKcJA

3. Shyne - Bad Boyz (Shyne) "Fuck yo' point is? My point is double fours at your fuckin' jaws pointed. . . hollow point shit. . . four point six. . . Need I say more, or do you get the point bitch?"
http://www.youtube.com/watch?v=1BeTqapowAU

4. M.O.P. - Ante Up (The Underground Legends)
"Ante Up! Nigga, it's game time. . . hand over the ring, kick over the chain. . . Gimme the fuckin' watch before I pop one in your brain. . ."
http://www.youtube.com/watch?v=y3U3R3b1dOg

5. D12 - Fight Music (Devils Night)
"I slap your freak, bump you and won't speak. . . If you step on my feet, you get drowned in your own drink. . . I suffocated my shrink just for talkin'. . . came back and fucked up his pallbearers and made 'em drop his coffin. . . It's fight music!"
http://www.youtube.com/watch?v=NeUc68hU83w

6. Wu-Tang Clan - Wu-tang Clan Ain't Nuthing Ta F' Wit (Enter The Wu-Tang)
"I'm causin' more family feuds than Richard Dawson. . . and the survey says: YOU'RE DEAD!"
http://www.youtube.com/watch?v=q2VxdVvsPQg

7. DMX - Bring Your Whole Crew (Flesh Of My Flesh, Blood Of My Blood)
"When you pass me nigga, look me in my eye. . . Tell me to my fuckin' face that you ready to die. . . You'll be a dead mothafucka', red mothafucka'. . . Don't be stupid, you heard what I said MOTHAFUCKA'!"
http://www.youtube.com/watch?v=LTZe3ZEQ5K4

8. Jaylib (ft Guilty Simpson) - Strapped (Champion Sound)
"I sit on the end at the movies and let me feet stick out. . . any nigga with a problem get his teeth chipped out. . ."
http://listen.grooveshark.com/#/song/Strapped_feat_Guilty_Simpson_/426216

9. Trick Daddy - Let's Go (Thug Matrimony: Married To The Streets) "Let's GO! If you want it, you can get it, let me know. . . I'm bout to fuck a nigga up..!"
http://www.youtube.com/watch?v=NEb8TlSPDcY

Hide the weaponry. . . I'm just sayin'.

Segment: Playlist specials

Ever been in a totally definable mood, but completely unable to figure out what the fuck to listen to to go along with that mood? I don't know how many times I have been feeling intense happiness, immense productivity, blatant anger, ineffable sadness, etc, and felt like I needed a soundtrack to go along with my state, but I just didn't know what the lineup of that soundtrack should be. . . So, you listen to this album, or that album. . . maybe a mix or two. . . but. . . nothing feels right, right? Solution: Playlist specials. I'm hitting you with mood and/or situation based playlists that are sure to go along perfectly with your state of being. . . fucked up as it may be. . . Check this shit out.

Judge this shit for yourself: pOETiqbEETz

Listen: http://usershare.net/u1blv5xfj0pr

1. What makes you different and/or better than some of the more popular producers (Swizz Beats, Kanye West, Madlib, etc) in the game right now?

I’m different, cause nobody does chops how I do chops... and then play on top of the chops... What makes me better than a lot of these cats out here is: I’m equally dope at making beats with a sample or without a sample, and I can cross different genres of music.

2. Why do you love hip hop?

I love hip-hop because it saved my life... Growing up in parts of Oakland where I grew up, there's distorted view of what music is. Hip-hop is what kept me from following the path of my peers to life on the streets.

3. Why should we/I give a fuck?

Ya'll should care about me because I’m slowly becoming one of them producers Dilla was... A producer’s producer... I’ve been hearing about that all over, and the amount of producers that show up when they hear I’m in the building is proof...

Blogger commentary: if you want more info, hit this nigga on Twitter: @pOETiqbEETz

You might not be totally tasteless after all: Consumer X

1. Who the fuck are you? (Alias, oldness factor, place I should avoid if I never want to see you, etc. . .)

Rasheed Malek, 24, The Bay. The head writer/editor over at WarrriorsWorld.net and Director/Producer at WarriorsWorld TV, also puttin' in work as a Youth Worker and grad student. The grind never stops.

2. Describe hip hop in one word, then explain your word choice. . .

Universal. Hip Hop is universal as it brings people from all races, religions, cultures and other groups together to share a passion for a genre of music which evokes excitement and energy through everyone. While a dude from the hood is downloading a Lil Wayne album there is someone in the middle of Russia doing the same, all for the love of Hip Hop.

3. Favorite MC (current vs. all time)?

Fav. current MC is Royce da 5'9 and all time fav. MC is Pac.

4. Why the fuck do I care? What qualifies your opinion on the subject?

Hip Hop Baby and 80's Baby which means I grew up on Hip Hop and was always around it in one way or another. Student of the art form, from b-boying to battles to the history of it all, its embedded with me.

5. If you had to boil what hip hop truly is down to three albums, what would they be? Explain.

Eric B. & Rakim- Paid in Full -- Didn't appreciate this till years after it dropped
Nas- Illmatic- Genius
Pac-All Eyez on Me- Greatest Pac album ever

6. You may not be Dave New York, but I still wanna know. . . How do you feel about radio hip hop?

Don't listen to the radio much but I think it has a place in music because the people they're targeting are the younger demographic and those who prefer style over substance. Nothing wrong with radio hip hip once in a while just can't bump it constantly.

7. In your opinion, are hip hop and rap the same? Are the words interchangeable? Why or why not?

Rapping is something anybody can do and doesn't require much talent or skill. Hip Hop is the ability to be an MC, not everyone can be an MC. Takes a special person who can flow, write, deliver and put it all together.

8. Best producer in the game?

Just Blaze

9. What's your guilty pleasure in terms of music? The stuff you wouldn't want ANYONE to catch you listening to.

50 gets a lot of hate but his products have always been consistent and entertaining.

10. Do you like Jay-z? If so, for the love of god, explain why. . .

Ether, need I say more?

11. Who is the one rapper out right now that you feel does not deserve the success they have? Why?

Dr. Dre because he's gotten lazy. Beats have fallen off and become mediocre and the excitement for Detox is gone.

12. Who is the one rapper out right now that deserves more success than they have currently? Why?

Locksmith of the Frontline. Dude can spit bar for bar with ANYONE in Hip Hop but is not only slept on nationally but in his own local market people shit on him just because he doesn't conform or give into the crap bay music.

13. "I'm tryin' to be one of the best, period. Not just one of the best with breasts and a period. . ." -Invincible . . . How do you feel about the fact that you are being interviewed by a girl that thinks she knows more about hip hop than you ever will?

To each its own, if you don't think you're the illest on the block than how can you expect someone else to? Self esteem game is mean and on-point.

Segment: Judge this shit for yourself

If you use any form of social networking, then you already know every nigga and they mama thinks they're a rapper and/or producer. . . you have undoubtedly gotten an e-mail, or tweet, or Facebook message, or MySpace message, or a message in a bottle, or a message from God, etc, saying 'listen to my new single, I promise I'm the next Tupac/Just Blaze'. . . if you're anything like me, these messages go ignored after the first few times, for a couple reasons: A. half the time when I get these messages, I am in a place in my own life where I don't really give a fuck that you're new single has a Mannie Fresh beat, I just wanna check my Twitter to make sure Hexmurda hasn't returned, and keep it movin'. . . you and your new mixtape are not a priority in MY life. B. 92.67% of the time, the shit is garbage. . . WHY DOES EVERYONE SWEAR THEY CAN RAP? Or make beats for that matter. . . I mean, shit, I CAN model. . . I can sit on my ass and let someone take photos of me. . . but does that make me a model? Fuck no. I'm SEVERAL sizes off that, like most of these internet MC's are about 4 levels of talent below 'Swag Surfing'. . . much less Tupac status. . . That being said, how are people going to know if they are any good or not if no one is listening to their shit and responding accordingly. . . In the maze of bad. . . and I do mean BAD. . . fuckin' awful. . . internet MC's and wannabe producers, we could be missing out on a few amazing talents. . . Thus, I bring you 'Judge this shit for yourself', the segment in which an 'artist' has a one shot deal at giving you a sample of what they've got to offer the world of hip hop, via a rap or a beat. . . there is an open forum for readers/listeners to comment on what they've heard. . . now, don't be a douche bag and just say 'this shit sucks'. . . say something thoughtful for Christs sake. . . I know most of you probably aren't even capable of forming a thought, much less typing one out, but. . . try? If you like the shit, say why. . . if you don't, say why. . . be a critic, not a fucktard. . . also. . . I am hitting them with three epic questions that will hopefully expose them as either wack niggas. . . or potentially talented and thoughtful individuals. . . let's see how this shit goes.

Archetypal vs. Evolutionary (sorry to use two words you are probably unfamiliar with - my bad.) (your bad for being retarded though - I'm just sayin'.)

We have all heard the retarded phrase "If it ain't broke, don't fix it", and yeah. . . sometimes that applies. . . I guess. . . But let's be real. . . We live in a society that values upgrades, whether they are necessary or not. Perhaps you don't need a new car, but if you are pushin' a scraper, and you can afford a Benz, why the fuck not? Sure, maybe it ain't broke, but. . . anyway, you get where I am going with this.

My question is, does this same theory apply to music?

As a listener, I am torn between the beauty of the evolution of music, and the need for that classic shit that I love SO much already. . . There are several albums coming out in the next few months that will undoubtedly draw attention to this issue. . . Do we want artists makin' new versions of the same shit, cause we love it, or do we want something entirely new, different, etc, knowing we run the risk of not liking the new direction the artist has gone in?

I constantly find myself saying I miss the Kanye of 'College Dropout'. . . the witty, cocky yet not impossibly egotistical, humorous, sane Kanye. . . The Yeezy we all fell for, and defended up until it became unbearable to do so. When I was given a link to Kanye's latest (yet NOT greatest), I found myself saying it again. . . "I want the old Kanye back". . . If THAT'S growth, then lets stunt that mothafucka' because that is NOT good hip hop (in my opinion).

See for yourself: http://usershare.net/1xwgs1us52s6

I'm gonna resist the urge to make jokes about the irony of the name of that track. . . Moving on.
In a strikingly similar (yet unexpected) situation, when I was presented with a track off of Slum Village's latest a few days ago, I also found myself saying 'is this my SV?!'. . . What I heard was NOT what I was used to from that group, and I am not going to lie, a part of me was vastly displeased by that. . . When I think of Slum Village, a thousand amazing tracks pop into my mind, and granted, they aren't all EXACTLY the same, but they definitely have that Motor City foreplay feel that I have come to know and love. . . but this. . . this new track. . . I didn't feel it. . . it didn't FEEL like Slum Village. . .

Check it: http://usershare.net/kv5hqkpmafnn

After being hit with this inescapable reality of the situation, that MY Slum Village had gone and switched things up on me, I was forced to reevaluate what I had heard, and listen to the new track in a different way. . . Let me explain: When you have attached yourself to a group. . . or an individual for that matter. . . that you LOVE. . . sometimes, when they do things differently than what you are used to, your first reaction is "this shit is just WRONG. . ." That was me. . . I wanted Slum Village, and I felt like I had gotten. . . something. . . else. . .

After having a little 'get your fucking shit together' talk with myself, I re-listened to the track. . . I heard it for what it was, not for what I expected it to be, or what I wanted it to be, etc. Upon second, third, fourth, and fifth listen, I realized this was not 'devil music' like I had previously dubbed it out of anger at it's being different. . .

It was a solid track, with a great beat. . . it was something that, had it not been Slum Village, I would have had no issue with from jump. . . In all actuality, I rather like the darkness of the track, with the beat giving off a dramatic feel and the flow aggressive, slightly morbid, critical, and. . . well. . . very real. . .
My only complaint about the track was the Lindsay Lohan comment in the chorus. . . cultural references are so hit or miss with me. . . and that one missed. . . by a mile. . .

Anywhos. . . (c) DOOM. I definitely had to check myself when dealing with the situation as described above, because I feel like, if I had let my closed mindedness about what Slum Village 'should' sound like dictate my actions/thoughts/feelings, I would be missing out on a solid track in "Dope Man". . . on the other hand. . . I still want to tell Kanye, 'please take it back to 'College Dropout'. . . you have only gone downhill from there. . .'

Which brings me to. . .

Evolution: any process of formation or growth; development.

To me, the evolution of a group, artist, etc, can be a good thing, because evolution has a positive connotation to it. . . growth and development are hard things to hate on, but at the same time, what about the not so positive changes? Do we point to some MC's and say 'hey you, evolve, you can do it..!' and then to others 'just do the same shit you did on your last album, cause you really ain't capable of too much more than that. . .'? Unfortunately, we can't do that. . . but even if we could. . . would that really be the best move? Sometimes people have to fuck up tryin' new shit before they fuck around and do some new and great shit. . . I will continue to listen to every Ye album that comes out in the hopes that he either goes back to his old, much better, ways, or that he does something new that's amazing. . . truthfully, I would be happy either way. . .
I heard this issue brought up a lot over Hov's latest. . . and Hov made a very good point on the album (I know, me. . . giving Hov credit for something. . . what was that? Did you hear that? Oh yeah, I think it was hell freezing over. . .). "Niggas want my old shit. . . buy my old album. . ." Now. . . granted. . . I don't want is old OR his new shit. . . but the point is still valid. . . we can't NOT love artists for progression. . . whether it's what we wanted from them, or not. . .

Also, we have those old albums, tracks, etc, to fall back on. . . I listen to 'College Dropout' weekly. . . it's a great album, whether Kanye sucks right now or not. . . if he came out with something new and amazing, it wouldn't change the fact that I love 'College Dropout' and it's an album that will always be in heavy rotation with me. . . As for Slum Village, if you know me at all, you know I listen to pretty much every Slum record. . . ever. . . every day. . . I am hoping that, with the upcoming release of Villa Manifesto (set to drop December 20th), that won't change. . . THEY might be changing, which in some ways is sad, because I loved them just the way they were, but in other ways, it's great, because the change is a positive change. . . at least on "Dope Man".

Bottom line: If you really love hip hop, you have to be open to it's growth, changes, etc. If you love an artist, and then they come out with some BAD shit, that's one thing. But if you love an artist, and they come out with some DIFFERENT shit. . . you gotta be open to it. You don't HAVE to like it, but if you hate on it simply because it's not the same old shit they have been giving you for 10 years, then you're doing yourself, and that artist, a disservice. . . The likelihood that there will ever be another Fantastic Vol. 2, Enter The Wu-Tang, Illmatic, Low End Theory, etc again is probably fairly slim. . . those albums were epic, and really, can't be touched. . . but that doesn't mean that a group/artists new shit can't be amazing, and worth every minute spent listening to it. . .

Alternately: Love the classic, but be open to the fresh. . . I'm just sayin'.

Why you love Jay-z. . . and I don't. . .

Something that myself and most hip hopists don't have in common is that, well, you like Hov. . . and I don't. I have had many an argument on many an occasion about Hov, why he is awesome, or in my opinion, an ass hat. . . etc. . . But I had a conversation with someone this evening that clarified my distaste for the artist formerly known as Jigga, and it went a little something like this: Me - Why do you love Jay-z again..? Them - Cause he is the greatest rapper alive. . . Me - Riiiiight. . . but, why? Them - Because he says he is the greatest rapper alive!

Fail. This seems to be the same conversation I have had with numerous people on numerous occasions. The conclusion I have come to is this: Jay-z is a walking logically fallacy. A tautology if you will. . .

Tautology: repetition of meaning, using dissimilar words to say the same thing twice, especially where the additional words fail to provide additional clarity and meaning.

"Jay-z is the greatest rapper alive because. . . Jay-z says he is the greatest rapper alive. . ." Oh, word? Well who the fuck died and made him Jesus? Alternately, since when did we start taking rappers at face value when they say that they are the greatest rapper alive? Jay-z isn't even the most popular rapper alive! And he CERTAINLY isn't the most talented rapper alive. . . so how the FUCK is he the best rapper alive? Is it because he ain't as disturbing looking/sounding as Lil Wayne? Or because he is better than Gucci Mane? (I didn't mean for that to rhyme, I swear) What is it about this ass hat that makes you believe him when he says that he is the best?

Winning the by default does not make you the best, it makes you the winner by default. . . the best is some other asshole that got disqualified, usually for a stupid reason. . .

It would be great if one person could tell me why they think Hov is the best rapper alive. . . I get that he's got the hottest chick in the game wearin' his chain. . . I get that he's got a million ways to get it. . . choose one. . . I get that he is big pimpin' baby. . . spendin' cheese. . . I also get how incredibly LAME all of those lines are, much like most of his flow (in my opinion). . . But, what is it you ACTUALLY like about him? I'm really not trying to tell anyone not to like Jay-z. . . really. . . just because I don't particularly care for him, doesn't mean you have to hate him. . . all I am saying is. . . can you have a reason for liking him. . ? Please? PLEASE?!

The only things I can gather that people might truly be feelin' with regards to this douche bag are these three things: 1. His, and undoubtedly your, belief that he is the greatest rapper of all time. 2. His cockiness. Maybe you like cocks. . . I'm just sayin'. 3. The fact that. . . he's not. . . bad. . . I mean, there are much worse. . . his accent is kind of annoying. . . but you know. . . whatever. . .

All I am saying is this: In my opinion, hip hop should not be a popularity contest. . . but if it's going to be a popularity contest, let it be based on one's popularity because they can bring some amazing shit to the table. . . or shit, cause they have cool face tattoos. . . whatever. . . but not because they talk about Louis Vuitton boat shoes and that makes you think they are cool because you have never held anything Louis Vuitton in your own bare hands, and you can only imagine what boat shoes are for. . . and CERTAINLY not because they tell you they are the most popular. . .

At this point, the only difference between you and I is this. . . Hov tells you he's the best, and you believe him. Hov tells me he is the best, and I don't. . . if you can tell me WHY you think he's the best. . . other than that he says that's the case, please do. Otherwise. . . shut up about it. . .

And yes, in case you were wondering. . . I can tell you exactly what I DON'T like about that ass hat. . . but I'm not going to. . . not until you tell me what you like about him FIRST! Ha! The burden of proof isn't on me anyway. . . ya'll are the one's running around screaming that he is the best rapper alive. . . I am simply disagreeing with it. . . That is all.

Segment: Consumer X

So, since this is a brand spankin' new blog, shit is going to be added to it all the time. . . some of that shit is going to be segments. . . the first segment I am gonna hit ya'll assholes with is called 'Consumer X'. Basically, 'Consumer X' is an interview segment where I interview people that I feel have valid opinions (I know. . . me? Thinking someone besides myself has a valid opinion? Who the fuck knew!), even though they aren't really in the music business. . . It's my opinion that, even though you wouldn't know this by talking to people on Twitter, not EVERYONE is a rapper, or a producer, etc. . . those people, though clearly lesser beings than their musically oriented counterparts, have opinions too. . . and perhaps every once in a while they should be heard. . . thus, 'Consumer X'. . . Enjoy fucktards!

OH SHIT! Ro can spit. . !! Hmmm. . .

Off top's, all I had really heard from Detroit rapper and entrepreneur 'Ro Spit' was his song Renaissance State Of Mind, which is his version of Hov's Empire State Of Mind, but about Detroit (duh). . . I heard this song while I was actually in Detroit, and I loved it. . . and not just in a sentimental way, it is actually a very catchy song. That being said, I didn't really know what to expect from this project that he just dropped. . . that he has tweeting about. . . all day. . . I'm just sayin'.

All that being said, and also given that I rarely listen to 'new music' cause I am too busy listening to 'old music' aka Slum Village, I decided, not only was I going to listen to this new project, I was going to write about it. . . So here we fuckin' go:

Track one: Too Easy
So we're cocky now huh? I see. . . Well, good thing your voice doesn't annoy me, as that's usually the first thing that kills things. . . Next. Hmmmm, how do I say this. This better be the last track you talk about Twitter on, or else you are gonna be on some Mistah Fab status. . . and that's not a good thing. . . Other than that, I have to admit, this song didn't annoy me as much as it could have, considering. . . Talking about twitter and coming off SUPER cocky usually turns me off right away, but the beat wasn't anything bad, and Ro Spit definitely can rhyme. . .

Track two: What A Feeling
From jump this beat draws me in. . . it's lightweight dark, and it has a classical feel to it, which I personally love. . . The flow is moderately aggressive, which is also a sound that I favor, so I was pretty happy from go with this track. . . but. . . there is definitely something about it that wasn't quite my style. . . perhaps it was the label name dropping? I'm just sayin'. . .

Track three: Hold My Strap
Oh the beat. . . OH THE BEAT. . . and then the flow? This track is where I fell for this project. . . This track is INCREDIBLY witty, and what I had hoped to hear from this artist. This track has so much wit, it's going to go over some people's heads, but that's just how I like my music, smart. This is an all around incredible track and should be played. . . repeatedly. . .

Track four: Scream @ Me
Ummm. . . hmmmm. . . This track is not bad. . . per say. . . it's just fairly generic sounding. . . the chorus especially, it's like 'you couldn't come up with anything better than this?'. . . To go from the last track to this was a bit disappointing, though I will admit, the beat is hot, but that's pretty much this tracks only redeeming quality. . . This is the first track that I really didn't like, unfortunately.

Track five: Eff The Po's
After that last track I was a bit afraid of what was to come. . . this track killed that worry. . . from the Hov opener (and ya'll know I ain't even on Hov like that), to the beat, to the flow, the song is hawt. . . it's just. . . kinda short.

Track six: I Do Me
Ahhh, there's that cockiness again. . . Here's the thing about that. It's EVER PRESENT on this project. . . if you are okay with that sort of thing, you won't have an issue with this. . . Beyond that, I was feelin' this track. The beat is nice. . . "I speak fly nigga fluently" is a classic line, which this song, and it seems like this whole project, is full of. . .

Track seven: Leave Me Alone
This nigga got beats!!?! Cot damny. . . having 14KT produce your shit is DEF a good thing. . . if I were to, let's say, use my crappy Bay Area slang to describe this song, I would say something like 'IT CRACK', or 'that shit SLAP nigga'. . . I'll be honest, the chorus 'haters get your paper, and leave me alone' isn't the most thoughtful I've ever heard. . . but so what, this track is good enough that it doesn't have to be. . . I'm just sayin'.

Track eight: I'm Booked
Ummm. . . was that a Twitter mention? Yeah, moving on.

Track nine: Burn Rubber
Oooooooh. . . that's better. . . and is that 14KT I hear? Yes, this is what I want from you. . . a beautiful beat, a real rhyme. . . this track is immediately getting put into a personal playlist of mine and getting repeat privileges among the Detroit greats (Dilla, SV, Guilty, Invincible, etc). . . The ONLY problem I had was that track was that it wasn't longer, simply because I wanted to hear more. Bravo. Welcome to what hip hop should be about.

Track Ten: Needing To Win
At first I kinda thought the beat of this (another 14KT gold prod) track was gonna outshine the rhyme. . . Mentioning 'cheddar', 'swag', 'rocking chains' etc, is usually cheesy track sign numero uno (keepin' it multilingual here) but then I heard "I'm what the French call 'Le coolest nigga ever'", and I couldn't help but smile. . . the genericness of some of the lines is more than compensated for by the other MUCH better and more original lines. . .

Track eleven: Muthafu#*as
I'm not gonna lie, this is not my favorite track. . . the beat is. . . not on point, and it was lightweight annoying. . . you can only hear 'muuuuuthaaafuuuuccckkkkkaaaaaa' so many times before it's like 'okay, enough'. . . Even for me. . . I'm just sayin'.

Track twelve: #1
This is a fun track. . . the beat is a bit video gamish, but the line up (Curtains, Big Sean, and Bun B) make it impossible not to like. . . Nothing really more to say, it's a fun track, so have fucking fun with it.

Track thirteen: 80's Baby
Oh no you did not use that Hov quote that got him BOMBED on by Cam. . . really? REALLY?! Okay. . . let me refocus. . . wait, no, I gotta go listen to 'You Gotta Love it'. . .

Track fourteen: Levi Denim
Am I the only one getting tired of people rapping about their hate for skinny jeans? But you make a song about. . . ummm. . . other. . . jeans. . ? Ummm, okay. . . This is a great beat, and it made the song. . . the flow was lackluster on this one. . . I can see that Ro Spit's demise will be a generic flow, IF he let's that happen. . . though I hope that's not the case, cause he could be great, if he would stop talking about shit that EVERYONE else talks about. . .

Track fifteen: Warm It Up
I immediately recognized the flow on this track as not being Ro Spit's, but as another familiar Detroit native, MarvWon. . . I also immediately recognized that this beat was hawt as well. . . and not 14KT. . . interesting. Moving right along, the opening lines of MarvWon are smart, yet fun, and of course, funny, which seems to be his signature. . . Next came Ro Spit, and his flow was equally good, but not in the same way, which was nice. . . it was a bit harder, yet not humorous, which works well, cause too much of a good thing is still too much. . . this, in my opinion, is one of the best tracks on the project, and really showcases the talent that Detroit has to offer.

Track sixteen: Arts & Crafts
This track is a bit dark, but I appreciate that, and basically. . . it's an all around solid track. . . being 16 tracks in, unless something is incredibly good or incredibly bad, I am not gonna have too much to say about it, cause I have already reviewed 15 of these other mothafuckas'. . . I'm just sayin'.

Track seventeen: Stop, Drop, Roll
The only thing I would add to the statement I made about track 16 for this track is that this beat is MAD. . . I will def be checking out the producer (Koen) to see if this was a one shot deal or if he is just that good. . . well met. . . otherwise, refer to the review of track 16. . .

Track eighteen: Do You
Refer to track 16's review. That is all.

Track nineteen: Yours Truly
Ummmm. . . this beat sounds like it belongs in a science fiction film. . . and the 'potty talk' off tops is a bit much. . . usually you gotta work into that sort of thing. . . it's kinda like going out on a first date and greeting your girl with an ass grab. . . it's a bit much for the beginning. . . feel me? Moving on. The chorus of this song is great, and gives the weird alien feel of the beat something it definitely needs. . . I didn't start to really like this track until I heard the second verse though, which in my opinion is far superior to the first. . . Also, don't think I didn't recognize the Invincible reference in there. . . that was hawt. . . It's an interesting song though, one that I feel like would grow on me after some time, but off tops, it's just. . . kinda. . . weird. . .

Track twenty: Verse Collage
I am gonna be honest. . . this is potentially the longest track. . . ever. . . in life. . . but it's GREAT, so I can't even hate on that. . . I feel the vibe, it's quite impeccable and it showcases Ro Spit's real talent. . . With every switch up, the flow style doesn't change that much, but it still fit's the change in the beat, and. . . well. . . it's hawt. . . it sounds like what hip hop SHOULD sound like. . . it's not particularly fun, or funny, or witty, or aggressive, or . . . well, anything really. . . it's just good. Raw talent with no games or gimmicks. . . If you're a truely good rapper, you don't have to be funny, or mean, or anything in particular. . . if you're good, you're just good. . . and Ro Spit is just good. That's all I can say about it.

Track twenty one: Renaissance State Of Mind
If you were paying attention, you already know I love this song. This song made me wish I was from Detroit, and it's that good, because that shit's a hard sell. . . I am from Calfornia after all. . . From the vocals, to the, albeit, ripped, beat, to the flow, you can sense the pride radiating off of it's creator over his city. Also, the chorus, 'it's our music the world lives and dies too, our song's will inspire you' could not be more true, especially for Dilla fanatics like myself. Detroit is unappreciated by the masses as one of the hub's of straight up and down amazing hip hop, and Ro Spit, in my humble opinion, is doing his part to contribute to that legacy.

Overall, I can honestly say, I was really feelin' this project. . . Granted, there were some tracks I wasn't feelin' so much, but I cannot say that's uncommon, especially for a 'hater' aka picky ass bitch like myself. I feel like the majority of this album is a great step forward for hip hop, especially considering the quality of music most new rappers are putting out these days. It's RARE to find a newer cat that's not labeled 'conscious' or 'indie' that sounds decent, so if you are looking for one, his name is Ro Spit, and you should definitely check out his new project, and then tell all your little fucking friends about it. . . I'm just sayin'!

http://rospit.bandcamp.com/

My peoples need hope, and I'm the one with it. . .

I am not gonna lie, I needed a late pass on this album. . . I didn't hear it until over a year after it came out, and even then, I didn't give it a serious listen until about 6 months or so after that. . . In my defense, I throw myself into every album I really listen to. . . that means a few things: 1. I don't give a good listen to that much shit. . . I am too busy listening to old shit I love, or the new(ish) current album I am currently obsessed with. 2. If I hear something new that I love, I pour myself into that album totally and completely until I have heard it so much I literally cannot stand listening to it anymore. . . and then I listen to it some more. . . and then I am done. This process is usually about a month long, and it involves listening to the same album as many as 15 times a day. . . I told you.

Now, all that being said, by the time I really gave Below The Heavens a chance, I was late. . . but fuck it, better late than never. . . or whatever. Upon first listen I attached myself to the song "So(ul) Amazin'". . . That fucking song is gorgeous. . . the beat is. . . and the lyrics are. . . well, so(ul) amazin'. . . The song is refreshing, witty, original, and unlike anything I had heard at the time. . . At the time I heard it, I was in desperate need of something new and good from the Hip Hop world, and I got it in the form of this MC/producer combo called Blu and Exile.

When I heard that song, 'So(ul) Amazin'', I was sold. . . the rest of the album could have been garbage, but I would have still raved about Blu and Exile being the second coming. Thankfully, though, the rest of the album was not garbage. . . quite the opposite actually, as the shit is GOLDEN. . . It's rare that I can listen to an album all the way through. . . and this album is no exception, as I don't listen to two of the tracks on it, but it's damn close to being a straight through life changing album. . .

You might be wanting to know which two tracks I remove when I listen to this album, but why? Listen to the album for yourself, if you haven't already, and you can decide if any of the tracks need to be removed for you to enjoy the album. . . and if you have already heard it, you either love it or you don't already. . . This is an album that I am really adamant about people experiencing for themselves because I think it's THAT important. I don't mind telling you I love it, because maybe. . . just maybe. . . if you haven't listened to it already, my glowing recommendation with convince you to give it a listen, but you need to experience the whole of it for yourself. . . trust me, this is not an album that you want to have never listened to from top to bottom before you croak. . .

Nearly every song is on point, both lyrically and in terms of beats. . . now-a-days its rare to find a new kid coming with so much blatant talent, that you might be damn near thrown off by this album. . . the new kid being Blu, not Exile. . . Though I personally couldn't relate to most of the words this album put forth, which usually causes me to dislike an album (to an extent). . . but the words Blu is throwing at you are expressed in such a way that. . . it's like you're getting the chance to peer into the life of someone else. . . Blu paints an vivid picture of his life, his struggles, his feelings, etc. . . and Exiles beats are the canvass that the picture needs to get to us. . . they just work together beautifully, and you don't need to relate to them to enjoy it. . . at least I don't. . .

I honestly once said about this album that my life would be complete if I had someone to lay on my bedroom floor, hold hands, stare at the ceiling, and listen to this album on repeat with. . . it's THAT good. . . I'm just sayin'.

"Drink sippin', letting my mind spin..
Thinkin' about my mom and pops..
How they designed this nigga..
A mix of Al Green and Pac..
Rock the soul tracks, rappin' bout survivin' on the block.."