"Not sayin' I'm the best. . . but 'til they find somethin' better, I am here, no fear, write me a letter. . ." -3 Stacks
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Showing posts with label Beats. Show all posts
Showing posts with label Beats. Show all posts

Monday, December 7, 2009

Featured artist: Thelonious Martin



Life Of A Teenage Champion, the 3rd major beat tape released by Thelonious Martin this year, is now available for download here: Life Of A Teenage Champion

In anticipation of the release of this beat tape, Thelonious Martin was interviewed by Erik Ross of It's An Infinite Cycle. You can read an excerpt from the interview below, or check out Erik's blog, where it is also posted. Keep your eye out for the review of this beat tape, done by yours truly, Jay Stay Played, hopefully this weekend. . . if I can get my lazy fuckin' act together. . . That is all.

Interview: Erik Ross x Thelonious Martin

You share a name with with one of the world’s most prolific pianists. How was this name chosen?

As a child my mother and father surrounded me with music, my mother went to a DAS EFX concert while she was pregnant with me and I attended an Outkast concert with her while she was at Florida A&M I was only two. My father has always been around music from managing Dj Mark Fulla Flava and even producer Xtreme. He always played music when I was little and it started with jazz, ranging from Miles Davis, Idris Muhammad, and of course Thelonious Monk. I moved from my pops to live with my mom at the age of 5 so revisiting this calming era with father is the way i pay homage with my name.

You live in Montclair, NJ, but in the summer, you stay in Chicago. Are these two cities active influences on your beats?

Being back in Chicago every summer I got to listen to the No I.D.’s and Kanye’s early, like you would think that Chicago is such a large place, but my auntie went to middle school with him. Yet I can’t sit here and say my influences are just Chicago and Montclair based though.

Speaking of influences, which artists influence your work?

It’s really funny because listening to Kanye West didn’t make me jump out of my seat and say I want to make beats, it was more of the Just Blaze’s and No I.D.’s. The hip hop I grew up on was the 90’s east coast Bad Boy and Wu Tang so you can def hear that within my sounds. But as I grew older I found Dilla and 9th Wonder, it was like finding new religions that people were hiding from me. 9th Wonder is my idol and that is probably the one producer that I say I emulate.

How did you start and learn to make beats?

I started making beats like 7th grade, I was in a rap group with a couple of friends and my friend Matt was the one who made the beats. I always gravitated towards how he did it and funny enough by watching him I sat back and learned how to use the computer programs and what not. That became the spark for the influence to make beats, then by setting out to figure out how to do what I wanted I watched documentaries, endless amounts of Youtube videos and tutorials, and hard work. I purchased my laptop in the spring of 2008 and since then beats have been made.

To read the rest of this interview, check this shit out: It's An Infinite Cycle Interviews... Thelonious

Thursday, November 26, 2009

Judge this shit for yourself: Dai Katamy


Listen: http://www.zshare.net/audio/6884882341b9e304/

1. What makes you different and/or better than some of the more popular producers (Swizz Beats, Kanye West, Madlib, etc) in the game right now?

Not better than anybody... yet. Haha. I think what makes me different is the way I approach things... a lot of times my emotion at the moment shapes the beat in every aspect, from the drums, to the chops, to the choosing of the sample even. I try to use it as my voice.

2. Why do you love hip hop?

As aggravated as I get with the people running the output of hip-hop in the mainstream, you know, the ones who control what people hear on the radio... what keeps me in love with hip-hop is the variety... the different kinds of approaches that artists take, mostly producers. One producer might take a piano, a bass guitar, real drums, and make a masterpiece...and another producer can take those recorded live instruments and ABSOLUTELY FLIP IT into something JUST as melodic with chops alone. That's what keeps me wanting to put a ring on it… Haha.

3. Why should we/I give a fuck?

I'm not doing what most producers from my area are doing, even though it's not the popular style. I let what I grew up with (80's baby, grew up in the 90s) influence how I approach things.

Blogger commentary: if you want more info, hit this nigga on Twitter: @DaiKatamy

Saturday, November 21, 2009

Judge this shit for yourself: Thelonious


Listen: http://usershare.net/2kx310cubqjs

1. What makes you different and/or better than some of the more popular producers (Swizz Beats, Kanye West, Madlib, etc) in the game right now?

I couldn't really put myself in the same box as a Timberland or Kanye, I'm only 17, but my ear is new and inventive. I've only been producing since May 2008, but I've already established my own style that is distinct and people can recognize it without my name being on the track. I modeled my style after 9th Wonder and I try to approach things with a certain ear and carefulness. I can't go about making music just because, I have to be inspired.

2. Why do you love hip hop?

I can't even sit here and be the stereotypical 'I love hip hop' person, but I just love music. My dad played jazz when I was little and it had a great effect on me, and slowly he let me listen to hip hop here and there and it slowly became infectious. The first song I learned all the words to was "All About The Benjamins", and I was born in '92.

3. Why should we/I give a fuck?

You (the people) should care because I'm doing what I love to its highest level and I'm growing as a person with every beat you hear from me. These are the daily trials and tribulations of a teen put into sound. I couldn't put any better. I just sit around and listen to old records, as if its new Lil Wayne to kids, chop'em up the way I want you to hear, and serve my stories on a silver platter.

Blogger commentary: if you want more info, hit this youngin' on Twitter: @Thelonious1up

Wednesday, November 18, 2009

Judge this shit for yourself: pOETiqbEETz



1. What makes you different and/or better than some of the more popular producers (Swizz Beats, Kanye West, Madlib, etc) in the game right now?

I’m different, cause nobody does chops how I do chops... and then play on top of the chops... What makes me better than a lot of these cats out here is: I’m equally dope at making beats with a sample or without a sample, and I can cross different genres of music.

2. Why do you love hip hop?

I love hip-hop because it saved my life... Growing up in parts of Oakland where I grew up, there's distorted view of what music is. Hip-hop is what kept me from following the path of my peers to life on the streets.

3. Why should we/I give a fuck?

Ya'll should care about me because I’m slowly becoming one of them producers Dilla was... A producer’s producer... I’ve been hearing about that all over, and the amount of producers that show up when they hear I’m in the building is proof...

Blogger commentary: if you want more info, hit this nigga on Twitter: @pOETiqbEETz

Sunday, November 15, 2009

Segment: Judge this shit for yourself


If you use any form of social networking, then you already know every nigga and they mama thinks they're a rapper and/or producer. . . you have undoubtedly gotten an e-mail, or tweet, or Facebook message, or MySpace message, or a message in a bottle, or a message from God, etc, saying 'listen to my new single, I promise I'm the next Tupac/Just Blaze'. . . if you're anything like me, these messages go ignored after the first few times, for a couple reasons: A. half the time when I get these messages, I am in a place in my own life where I don't really give a fuck that you're new single has a Mannie Fresh beat, I just wanna check my Twitter to make sure Hexmurda hasn't returned, and keep it movin'. . . you and your new mixtape are not a priority in MY life. B. 92.67% of the time, the shit is garbage. . . WHY DOES EVERYONE SWEAR THEY CAN RAP? Or make beats for that matter. . . I mean, shit, I CAN model. . . I can sit on my ass and let someone take photos of me. . . but does that make me a model? Fuck no. I'm SEVERAL sizes off that, like most of these internet MC's are about 4 levels of talent below 'Swag Surfing'. . . much less Tupac status. . . That being said, how are people going to know if they are any good or not if no one is listening to their shit and responding accordingly. . . In the maze of bad. . . and I do mean BAD. . . fuckin' awful. . . internet MC's and wannabe producers, we could be missing out on a few amazing talents. . . Thus, I bring you 'Judge this shit for yourself', the segment in which an 'artist' has a one shot deal at giving you a sample of what they've got to offer the world of hip hop, via a rap or a beat. . . there is an open forum for readers/listeners to comment on what they've heard. . . now, don't be a douche bag and just say 'this shit sucks'. . . say something thoughtful for Christs sake. . . I know most of you probably aren't even capable of forming a thought, much less typing one out, but. . . try? If you like the shit, say why. . . if you don't, say why. . . be a critic, not a fucktard. . . also. . . I am hitting them with three epic questions that will hopefully expose them as either wack niggas. . . or potentially talented and thoughtful individuals. . . let's see how this shit goes.